Tuesday – Saturday 11 am - 7 pm

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Madhu Das (Mumbai/India) practice incorporates project-based multi-disciplinary intersection that has been cultivated by the Material, landscape, language, knowledge and communication defined by the time in the form of visual essays; it is an ongoing excavation and investigation on the ideas around trauma, anxiety and belief connected to geography, community, or an individual persona intrigued by the way cultural and political factors influence one’s life; in a way that the two are woven together in the space.

Recent exhibitions and residencies include The Art House, Wakefield, UK  (2022); 'Surface Encounters and Strange Beings' curated by HH Art Spaces with Mario D’Souza, HH Art Spaces Goa, India(2021); "Space-Media-Voice" curated by PAWA & In_process collective , Wellington , NZ (2021); “Abstract Notations” curated by Jesal Thacker, Gallery Espace,Delhi, India (2020) ; DISCOVER 02. Prameya Art Foundation, India (2020) ; Serendipity Arts Festival, India (2019) ;  Arthur Bunder Press, Chatterjee & Lal, India (2019); Sapporo Tenjinyama Art Studio, Japan (2019);  (IN)Sessions, Delfina Foundation, London (2018);  Bamboo Curtain Studio, Taiwan (2018) ; Harvard South Asia Institute, Cambridge, USA (2017); Awaaz Do - A Call to Resistance, curated by Ram Rahman in Times Lit Fest at the Mehbob Studios, India (2015); The Conflicted Issue of Change and Urbanism, curated by Gayatri Sinha at Dr. Bhau Daji Lad Museum, India (2014); Sarai Reader 09, curated by Raqs Media Collective at Devi Art Foundation, India (2013); Post-Oil City: The History of the City’s Future, Curated by Elke Falat, Vishweshwaraya Museum / Goethe-Institut /Max Mueller, India (2013) ; Kochi – Muziris Biennale, India (2012); G.H. krumbiegel 'whatever he touched he adorned, curated by Suresh Jayaram, Goethe-Institut / Max Mueller, Bengaluru, India (2012); TIFA Working Studios, India (2016); T.A.J. Residency & SKE Projects, India (2015); Theertha International Artists Collective, Sri Lanka (2010) and Sandarbh Artist Residency, India (2009).

Recipient of the Emerging South Asian Artist by The Art Family, London (2021); Generator Grant, Experimenter Gallery, India (2021) ; Emerging Artists Award, FICA/ Mrinalini Mukherjee Foundation, India (2020); Inlaks Fine Arts Award (2015) and was selected by Harvard South Asia Institute for the Emerging South Asian Visual Artists Program (2016).

 


madhu das, drypoint, etching, south asian artist

Exile in a Forest, Intaglio Technique/ Drypoint on Fabriano Rosapina Paper, 25cm x 36cm, Edition 10 + 2 AP, 2021


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madhu das, drypoint, etching, south asian artist

Exile in a Forest, Intaglio Technique/ Drypoint on Fabriano Rosapina Paper, 25cm x 36cm, Edition 10 + 2 AP, 2021


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madhu das, drypoint, etching, south asian artist

Exile in a Forest, Intaglio Technique/ Drypoint on Fabriano Rosapina Paper, 25cm x 36cm, Edition 10 + 2 AP, 2021


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madhu das, drypoint, etching, south asian artist

Exile in a Forest, Intaglio Technique/ Drypoint on Fabriano Rosapina Paper, 25cm x 36cm, Edition 10 + 2 AP, 2021


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madhu das, drypoint, etching, south asian artist

Exile in a Forest, Intaglio Technique/ Drypoint on Fabriano Rosapina Paper, 25cm x 36cm, Edition 10 + 2 AP, 2021


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madhu das, drypoint, etching, south asian artist

Exile in a Forest, Intaglio Technique/ Drypoint on Fabriano Rosapina Paper, 25cm x 36cm, Edition 10 + 2 AP, 2021


< Back


madhu das, drypoint, etching, south asian artist

Exile in a Forest, Intaglio Technique/ Drypoint on Fabriano Rosapina Paper, 25cm x 36cm, Edition 10 + 2 AP, 2021


< Back


madhu das, drypoint, etching, south asian artist

Exile in a Forest, Intaglio Technique/ Drypoint on Fabriano Rosapina Paper, 25cm x 36cm, Edition 10 + 2 AP, 2021


< Back


madhu das, drypoint, etching, south asian artist

Exile in a Forest, Intaglio Technique/ Drypoint on Fabriano Rosapina Paper, 25cm x 36cm, Edition 10 + 2 AP, 2021


< Back


madhu das, drypoint, etching, south asian artist

Exile in a Forest, Intaglio Technique/ Drypoint on Fabriano Rosapina Paper, 25cm x 36cm, Edition 10 + 2 AP, 2021


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